File:"Ouvriers" de Tarsila do Amaral (Musée du Luxembourg, Paris) - Flickr - dalbera.jpg
_-_Flickr_-_dalbera.jpg/800px-%22Ouvriers%22_de_Tarsila_do_Amaral_(Musée_du_Luxembourg%2C_Paris)_-_Flickr_-_dalbera.jpg?20241204031715)
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Captions
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Summary
[edit]Tarsila do Amaral: workers
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Artist |
artist QS:P170,Q466627 |
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Photographer | ||||||||||||||||||||||||
Title |
Portuguese: operários workers title QS:P1476,pt:"operários"
label QS:Lpt,"operários"
label QS:Lfr,"ouvriers"
label QS:Len,"workers"
label QS:Lde,"Arbeiter" |
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Description |
«The models of social realism and Mexican muralism mark Tarsila's main militant painting, whose diagonal composition is inspired by a poster by the Soviet artist Valentina Kulagina. The celebration of the ethnic mix of the Brazilian people, already evoked in the works of the 1920s, takes on a truly social connotation in this homage to the working class of São Paulo, represented by these faces of all origins against a backdrop of industrial landscape [...]». Extract from the catalogue - «A central figure in Brazilian modernism, Tarsila do Amaral (1886-1973) created an original and evocative body of work, drawing on the indigenous, popular and modern imaginations of a country in the throes of transformation. In Paris in the 1920s, she put her iconographic universe to the test with cubism and primitivism, before initiating the ‘anthropophagic’ movement in São Paulo, advocating the ‘devouring’, by Brazilians, of foreign and colonising cultures, as a form of both assimilation and resistance...» Extract from the exhibition website |
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Date |
1933 date QS:P571,+1933-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Collection |
institution QS:P195,Q7714589 |
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Exhibition history |
from 9 October 2024 until 2 February 2025 date QS:P,+2024-00-00T00:00:00Z/8,P580,+2024-10-09T00:00:00Z/11,P582,+2025-02-02T00:00:00Z/11 «Tarsila do Amaral: peindre le Brésil moderne», Musée du Luxembourg, Paris |
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Source/Photographer | "Ouvriers" de Tarsila do Amaral (Musée du Luxembourg, Paris) | |||||||||||||||||||||||
Flickr tags InfoField | dalbera , paris , france , exposition , beaux-arts , art brésilien , peinture , socialisme |
Camera location | 48° 50′ 55.41″ N, 2° 20′ 01.87″ E ![]() | View this and other nearby images on: OpenStreetMap | ![]() |
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Licensing
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This image was originally posted to Flickr by dalbera at https://flickr.com/photos/72746018@N00/54164674090. It was reviewed on 4 December 2024 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-2.0. |
4 December 2024
Annotations InfoField | This image is annotated: View the annotations at Commons |
Gregori Warchavchik, Ukrainian, immigrated around 1923 and became a naturalised citizen between 1927 and 1928. He belonged to the first generation of Brazilian modernist architects. One of his main works is his own residence, which is considered to be the first modernist building in Brazil. Today it is open to the public in rua Santa Cruz, bairro de Vila Mariana, São Paulo.
This is said to be Mario de Andrade, writer, art critic, musicologist and one of the first representatives of Brazilian Modernismo.
According to Tarsila do Amaral, this mini-portrait depicts Benedito Sampaio, the administrator of her father's fazenda.
Tarsila do Amaral announced that she had included two women who were important at the time in her work. The person portrayed here is presumably Eneida de Moraes, a journalist from Pará, who was considered a revolutionary pioneer in literature and politics. She put popular culture in the spotlight, e.g. the Carnaval. She was imprisoned eleven times.
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current | 03:17, 4 December 2024 | ![]() | 5,668 × 4,021 (22.75 MB) | Red panda bot (talk | contribs) | In Flickr Explore: 2024-11-26 |
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Metadata
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Date and time of data generation | 19:04, 18 November 2024 |
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Exposure time | 1/125 sec (0.008) |
F-number | f/4 |
Lens focal length | 38 mm |
ISO speed rating | 6,400 |
Camera manufacturer | SONY |
Camera model | ILCE-7RM2 |
Author | dalbera jean-pierre |
Copyright holder |
|
APEX brightness | −0.2875 |
Color space | sRGB |
Image compression mode | 4 |
Contrast | Normal |
Custom image processing | Normal process |
Digital zoom ratio | 1 |
Exif version | 2.3 |
APEX exposure bias | 0 |
Exposure mode | Auto exposure |
Exposure Program | Normal program |
File source | Digital still camera |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Focal length in 35 mm film | 38 mm |
Light source | Unknown |
Maximum land aperture | 4 APEX (f/4) |
Metering mode | Pattern |
Image width | 5,682 px |
Image height | 4,048 px |
Saturation | Normal |
Scene capture type | Standard |
Scene type | A directly photographed image |
Sharpness | Normal |
White balance | Auto white balance |
Horizontal resolution | 350 dpi |
Y and C positioning | Co-sited |
Vertical resolution | 350 dpi |
Date and time of digitizing | 19:04, 18 November 2024 |
Software used | Adobe Photoshop Elements 21.0 (Macintosh) |
Date metadata was last modified | 21:16, 25 November 2024 |
File change date and time | 21:16, 25 November 2024 |
Unique ID of original document | xmp.did:8d85d62d-fd63-4a07-889f-3a4be920448d |
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18 November 2024
48°50'55.414"N, 2°20'1.874"E
0.008 second
38 millimetre
6,400
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